His default singing voice-which he uses to rap as well-is weightless and honeyed to the point that it’s hard to tell if he’s in a falsetto. NOIR is above all an album about language: Smino throws a million different voices into the mix, sometimes all at once. Either way, Smino is working within tradition by bending his words to his will and through his Blackness. Listening to Smino’s second album NOIR led me to an essay James Baldwin wrote for The New York Times called, “If Black English Isn’t a Language, Then Tell Me, What Is?” Baldwin makes his point simply in the title but continues in the first paragraph: “Language.is meant to define the other-and, in this case, the other is refusing to be defined by a language that has never been able to recognize him.” That came to mind when I read something Smino tweeted a few weeks ago, “dnt correct my grammar hoe I spelt it dat way kuz das high say it,” which also feels a bit like an echo of a Dunbar poem.
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